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A view of Binidon Street

Architectural award for Bindon Street

THE historic Georgian architecture of Bindon Street in Ennis has been honoured by the Department of Arts, Heritage and the Gaeltacht. The National Inventory of Architectural Heritage (NIAH), under the administration of the department, has named Bindon Street in Ennis its Building of the Month for August.
According to Risteard Ua Cróinín, architectural conservation officer, Clare County Council, “Of the tens of thousands of historic buildings on the records of The Department of Arts, Heritage and Gaeltacht, it is a great honour for Ennis to have Bindon Street chosen as The Building of the Month. This street has long been recognised as one of the finest late-Georgian streets in Ireland, due to its formal design, based on rigid principles, pristine lines, architectural detailing and the use of local materials.
“It acknowledges the care taken by individual owners and occupiers to maintain their buildings to high conservation standards and justifies the decision of Clare County Council and former Ennis Town Councils to enter, practically, all the buildings on the street, on its Record of Protected Structures.”
Dublin-based historian, Lucille Ellis, a member of the Clare Roots Society, described to the NIAH what makes Bindon Street so special and deserving of the name Building of the Month.
Lucille, whose grandparents are from Clare, has published many local histories. In her description to the NIAH, she explained that Ennis in the early 19th century was characterised by crooked narrow streets, flanked by buildings of post-medieval and eighteenth-century origin.
One of the first formal streets came about when, circa 1823, William Greene, a local attorney, built for himself a sizeable house of rough-cut limestone on land owned by Bindon Blood (1775-1855), just off Mill Road. The house shows a symmetrical frontage, with a restrained doorcase as its centrepiece. The Classically-proportioned windows are simply dressed, with tooled cut-limestone block-and-start surrounds. Contemporary deeds, directories and newspapers confirm the existence of the house in the late 1820s and early 1830s and it is shown, but not named, on the first edition of the Ordnance Survey published in 1842.
To the north side of the house, accessed from basement level, was an enclosed yard containing a three-horse stable and coach house, along with sundry out offices. Also extending from basement level, running under what would become Bindon Street, is a large coal store. In fact, all of the houses in the street are furnished with vaulted coal stores and, in 1941, it was suggested that they could be requisitioned as air raid shelters in the event of a German attack.
It would take almost 10 years before the next houses appeared in Bindon Street. Charles Harvey Bagot (1778-1880), land agent for Bindon Blood, could not find a suitable house in Ennis for his family and opted to build himself. He persuaded the county treasurer and a local magistrate to join in a venture to erect four identical houses, on the opposite side of the street from Greene’s house, which he described as being equal to “London or Dublin second-rate houses”. Although the Georgian era was coming to an end, this was the style that was selected to build in. The houses, which are currently numbered 3 to 6 Bindon Street, are two bays wide; have frontages of four storeys over open basements; display red brick, possibly of local manufacture, in their construction; and show Classical doorcases, with pretty fanlights at street level. Number 3 Bindon Street features a plaque, giving 1832 as the date of construction. It, and its immediate neighbour, was rendered in the 20th century and the windows decorated with simple Tudor-like hood mouldings: numbers 5 and 6 Bindon Street continue to show the original red-brick Flemish bond finish.
At some point in the following 10 years, another house was erected adjoining 3 Bindon Street. The builder was Bindon Blood who, up to then, had been living in Queen Street, Edinburgh. Griffith’s Valuation clearly shows that Bindon’s house was a larger and higher-rated house than its neighbours and that the under-street tunnels extended all of the way across to what had been Greene’s yard, but was now repurposed as a garden. Blood died in 1855 and,, over the next few years, his widow, Maria, remodelled the house, converting it into two separate dwellings and possibly extending what ultimately became 1 Bindon Street. It is quite clear today that an additional door was inserted into the façade but the main evidence for the alterations is in the Valuation Office Cancelled Books.
In 1836, the west side of Bindon Street was developed, with the finance coming from a tontine, or subscriber’s annuity, in a manner similar to the contemporary development of Pery Square in Limerick. The Articles of Agreement of the Bindon Street Tontine Company, housed in the National Archives of Ireland, specified that the land on which the new houses were to be built extended 100 feet south from the gable-end of William Greene’s house.
Five identical houses were proposed and 20 shares, valued at £100 each, were issued. Seventeen men took up the challenge, three taking two shares each, with the subscribers including Bindon Blood and Charles Harvey Bagot; local landowners, such as Robert O’Brien (1809-70) of Dromoland; Richard Boxall Grantham (1805-91), county surveyor; and also a local blacksmith and pawnbroker. Each subscriber nominated a young person and it would be the last surviving five of these who would give the subscriber, or their heir, the prize of one of the houses. In the meantime, for as long as the nominee was alive, the subscriber benefitted from the rents of the houses.
As proposed, the five houses were identical in appearance and, although smaller in scale than their opposing neighbours, share qualities in common with the earlier houses in Bindon Street. The houses, numbered 7 to 11 Bindon Street, are two bays wide; three storeys high over open basements; finished with red brick laid in a Flemish bond pattern; have fanlit Classical doorcases at street level; and conceal their roofs behind parapets.
Two further developments completed Bindon Street as we know it today and both were of a public nature.
The Provincial Bank of Ireland had operated from 5 Bindon Street ever since it had established a branch office in Ennis in 1835. However, a purpose-built bank, designed by William George Murray (1822-71), architect to the Provincial Bank of Ireland, opened in 1864. Five bays wide and two storeys high, the bank features a snecked tooled limestone construction with sheer limestone dressings, particularly focused on the central porch. The arcaded openings on each floor and the corbelled roofline imbue the building with a sense of a restrained Italianate Classicism: certainly, the bank is less showy than the contemporary National Bank of Ireland building erected around the corner, in what was to become Bank Place.
Finally, Saint Columba’s Church was built between 1869 and 1871, on a site donated by the Bloods at the south end of Bindon Street, adjacent to the tontine houses. Designed by the firm of Lanyon, Lynn and Lanyon of Belfast, the church, according to Jeremy Williams (1994), “borrows much from Castlemacadam, County Wicklow, a church [the firm] had designed a year before on the other side of Ireland”. So that the church could be oriented correctly, the entrance faces away from the street and it is the polygonal chancel and gabled tower that dominate the corner of Bindon Street and Bank Place. Between Saint Columba’s Church and the tontine houses stands the Blood Mausoleum, a coat-of-arms-emblazoned tooled limestone ashlar pyramid that was in situ some time before the church was completed.
Lucille’s book, Bindon Street and Bank Place, published by Clare Roots Society, is available in bookshops in Ennis and from the Clare Roots Society: www.clareroots.org.

By Jesssica Quinn

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